"I don't care," said Fleda, moving to the door. Mrs. Gereth, having paid for the second missive, rejoined her, and they drove together to Owen's club, where the elder lady alone got out. Fleda, from the hansom, watched through the glass doors her brief conversation with the hall-porter and then met in silence her return with the news that he had not seen Owen for a fortnight and was keeping his letters till called for. These had been the last orders; there were a dozen letters lying there. He had no more information to give, but they would see what they could find at Colonel Gereth's. To any connection with this inquiry, however, Fleda now roused herself to object, and her friend had indeed to recognize that on second thoughts it couldn't be quite to the taste of either of them to advertise in the remoter reaches of the family that they had forfeited the confidence of the master of Poynton. The letters lying at the club proved effectively that he was not in London, and this was the question that immediately concerned them. Nothing could concern them further till the answers to their telegrams should have had time to arrive. Mrs. Gereth had got back into the cab, and, still at the door of the club, they sat staring at their need of patience. Fleda's eyes rested, in the great hard street, on passing figures that struck her as puppets pulled by strings. After a little the driver challenged them through the hole in the top. "Anywhere in particular, ladies?" "He doesn't dream I've ever thought of him," said Fleda. "Why should he, if you didn't?"!

It was part of the great rupture and an effect of Mrs. Gereth's character that up to this moment she had been completely and haughtily indifferent to that detail. Now, however, she had a visible reason for being clear about it. She bethought herself and she broke out—"Isn't the day past?" Then, stopping short, she added: "Upon my word, they must have put it off!" As Fleda made no answer to this she sharply went on: "Have they put it off?" "She came to see what she could do. She had been tremendously upset, the day before, by what had taken place at your father's, and she had posted down to Ricks on the inspiration of the moment. She hadn't meant it on leaving home; it was the sight of you closeted there with Owen that had suddenly determined her. The whole story, she said, was written in your two faces: she spoke as if she had never seen such an exhibition. Owen was on the brink, but there might still be time to save him, and it was with this idea she had bearded me in my den. 'What won't a mother do, you know?'—that was one of the things she said. What wouldn't a mother do indeed? I thought I had sufficiently shown her what! She tried to break me down by an appeal to my good nature, as she called it, and from the moment she opened on you, from the moment she denounced Owen's falsity, I was as good-natured as she could wish. I understood that it was a plea for mere mercy, that you and he between you were killing her child. Of course I was delighted that Mona should be killed, but I was studiously kind to Mrs. Brigstock. At the same time I was honest, I didn't pretend to anything I couldn't feel. I asked her why the marriage hadn't taken place months ago, when Owen was perfectly ready; and I showed her how completely that fatuous mistake on Mona's part cleared his responsibility. It was she who had killed him—it was she who had destroyed his affection, his illusions. Did she want him now when he was estranged, when he was disgusted, when he had a sore grievance? She reminded me that Mona had a sore grievance too, but she admitted that she hadn't come to me to speak of that. What she had come to me for was not to get the old things back, but simply to get Owen. What she wanted was that I would, in simple pity, see fair play. Owen had been awfully bedeviled—she didn't call it that, she called it 'misled'—but it was simply you who had bedeviled him. He would be all right still if I would see that you were out of the way. She asked me point-blank if it was possible I could want him to marry you."

"She wanted to know what right you had to meddle. She said you were not honest." As the days passed, however, it became plainer to Fleda that her only chance of success would be in lending herself to this low appearance. Then, moreover, at last, her nerves settling the question, the choice was simply imposed by the violence done to her taste—to whatever was left of that high principle, at least, after the free and reckless meeting, for months, of great drafts and appeals. It was all very well to try to evade discussion: Owen Gereth was looking to her for a struggle, and it wasn't a bit of a struggle to be disgusted and dumb. She was on too strange a footing—that of having presented an ultimatum and having had it torn up in her face. In such a case as that the envoy always departed; he never sat gaping and dawdling before the city. Mrs. Gereth, every morning, looked publicly into "The Morning Post," the only newspaper she received; and every morning she treated the blankness of that journal as fresh evidence that everything was "off." What did the Post exist for but to tell you your children were wretchedly married?—so that if such a source of misery was dry, what could you do but infer that for once you had miraculously escaped? She almost taunted Fleda with supineness in not getting something out of somebody—in the same breath indeed in which she drenched her with a kind of appreciation more onerous to the girl than blame. Mrs. Gereth herself had of course washed her hands of the matter; but Fleda knew people who knew Mona and would be sure to be in her confidence—inconceivable people who admired her and had the privilege of Waterbath. What was the use therefore of being the most natural and the easiest of letter-writers, if no sort of side-light—in some pretext for correspondence—was, by a brilliant creature, to be got out of such barbarians? Fleda was not only a brilliant creature, but she heard herself commended in these days for new and strange attractions; she figured suddenly, in the queer conversations of Ricks, as a distinguished, almost as a dangerous beauty. That retouching of her hair and dress in which her friend had impulsively indulged on a first glimpse of her secret was by implication very frequently repeated. She had the sense not only of being advertised and offered, but of being counseled and enlightened in ways that she scarcely understood—arts obscure even to a poor girl who had had, in good society and motherless poverty, to look straight at realities and fill out blanks. By the day's end it was clear to Fleda Vetch that, however Mona judged, the day had been determinant; whether or no she felt the charm, she felt the challenge: at an early moment Owen Gereth would be able to tell his mother the worst. Nevertheless, when the elder lady, at bedtime, coming in a dressing-gown and a high fever to the younger one's room, cried out, "She hates it; but what will she do?" Fleda pretended vagueness, played at obscurity and assented disingenuously to the proposition that they at least had a respite. The future was dark to her, but there was a silken thread she could clutch in the gloom—she would never give Owen away. He might give himself—he even certainly would; but that was his own affair, and his blunders, his innocence, only added to the appeal he made to her. She would cover him, she would protect him, and beyond thinking her a cheerful inmate he would never guess her intention, any more than, beyond thinking her clever enough for anything, his acute mother would discover it. From this hour, with Mrs. Gereth, there was a flaw in her frankness: her admirable friend continued to know everything she did; what was to remain unknown was the general motive.